|
|
Sitting quietly in the cedar woods near my house where I find
wood for flutes. |
|
Coming home with wood for new
flutes. |
|
|
|
The workshop where all the flutes and totems
are made. |
|
Splitting the wood |
|
|
|
The wood is into blanks, split,the two halves
are hollowed, and jointed. |
|
The two halves of the flute are then glued
together. |
|
|
|
The flute body and mouthpiece are carefully
carved. |
|
The holes are drilled, then sized exactly with
a woodburning tool. |
|
|
|
Each hole is tuned to a chromatic tuner for
precise tonal accuracy. |
|
The totem (in this case a mountain lion) is
sketched and the resulting shape "roughed out". |
|
|
|
Hard corners become curves. |
|
The shape is gradually
refined... |
|
|
|
The totem is then hand-finished with 5 coats of
organic linseed oil and a coat of beeswax. |
|
At last, time to bring a little more music into
the world! |
|